Following the first tutorial for STMaps this second tutorial should give you some idea what else appart from recreating precise lens distortion warps you can do in Nuke using the same set of tools.
Assuming you have a 3D scene set up, doesn't matter if it's a Nuke 3D scene or a scene in Maya or Max, it can be a very time consuming task to fix renderings, to apply selective color corrections to a shot with moving camera or to switch a texture on an object. In any case - there is never a way around re-rendering everything. And especially when you have a very tight deadline you want to be able to do some last minute fixes in comp without tracking patches and without re-rendering your 3D output. Here at RISE we never failed to deliver our shots way ahead of any deadline - and this is how we do it:
Let's use this 3D scene as an example, shall we? :-)
Just a straight forward camera animated to fly towards some UV textured cubes and planes. Here is another one:
Let's say you wanted to do some selective color correction to your 3D scene output based on some bezier masks. Try projecting a UVMap onto your 3D scene from a frame in your camera animation that seems appropriate to you ( it should be the frame you want to use for drawing the bezier shapes). Just copy the camera (in this case frame 1), delete it's animation except for the frame you want to use for your beziers and connect it to a Project3D node.
To make it easier during crunch time just plug your UV projection scene output into some additional channels of your diffuse / standard 3D scene output. Should look something like this (you can do this in just one 3D scene - but it's easier to explain this way):
I'm now writing exr files with my checker board textured RGBA channels and the additional UV channels from my camera projection. Pluging my exr files into an STMap node as UV input and some bezier shapes as source input will give you this (note that I'm making my shapes on frame 1, the frame I used to project my UVMap):
Your beziers will now be warped to match the change of perspective on your geometry during your camera animation. You can use this technique to quickly apply color corrections, patches or textures to your 3D scene without it being 3D. You can warp entire matte paintings with your scene geometry. You can also setup as many UVMap projections on as many frames of your camera animation as you want and pipe them into other exr channels. It's blazing fast, especially when you have huge 3D scenes that take a long time to render. And it works with everything that renders 3D scenes, doesn't matter which renderer or 3D package. Thanks to Christian Pundschus at RISE for coming up with this great idea and for sharing it during Percy Jackson.