The original version of this article can be viewed here Here’s a quick tip to help integrate composites where light wrap is causing a problem. I have Traian Constantinescu at MPC to thank for showing me the trick - he calls it the “(sl)Edge Hammer”, because using a clamp node to a colour correct is a pretty brutal technique and “like using a sledge ...

... and unpremult to make our extend edge we will use IDistort..So let's do it!1: Input your ALPHA in your target 2: Add a Blur with size 6 3: Add two transforms x = 1 and x = -1 and merge(from) them respective (A-B) 4: Add more two transforms y = 1 and y = -1 and merge(from) them respective (A-B) 5: Use shufflecopy to output those results ...

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... "Apollo13" in 1995 then became a full-fledged compositor on "T23D"in 1996, handing off my video duties. After comping for a couple years on various shows I was given the opportunity to be comp supe on "The Fifth Element" in 1997, then dfx supe for the first time on "Supernova" in 1999. I continued being a dfx/vfx supe until the ...

Edge https://www.youtube.com/watch?v=QXOMe_7fAmw&t=1s Edge allows you to extend the proper color out over transparent edges or areas with a lot of motionblur without eroding away the nice detail. This edge extend has some more advanced features like splitting the core matte and final key which allows you to work on motion blur without effecting small ...

The edge colour is achieved by repeatedly unpremultiplying and blurring the image which helps get some sort of colour information into motion blurred keys for example: The control matte os typically an eroded version of the alpha channel Check the tooltips for more info: ...

1.2 fixed the "nothing is named red" error 1.1 updated to avoid errors when unconnected A simple edge tool that uses erodes and dilates to create an edge based on an incoming channel. ...

Here's my take on the classic EdgeScatter. Simple controls for inner/outer amount + blur, with simple grain built in courtesy of a furnace node (but you can and should replace with your own or the studio-vetted grain pkg where you work). Super fast results. I find this imperative to getting images from 2 different sources (a greenscreen or CG and ...